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When Mike appears to dial it up from creepy to abusive, the Taylors invite Anna to move into the guest house of their lush Garden District home.
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Just as important, she adds, she plans to use the fee she’ll earn for her help to invest in a business venture with Mike (Theo Rossi from “Sons of Anarchy”), her Mr. The Taylors are immediately taken with Anna (newcomer Jaz Sinclair), a beautiful young waitress who claims she loves - just loves - helping other people. But after enduring the trauma of three miscarriages, they are ready to work with an agency that matches clients with fertile surrogates. But it’s a safe bet that such charitable souls would prefer to spend that time in the comfort of their living rooms, rather than inside their friendly neighborhood multiplexes.Ĭhestnut and Hall are well cast as John and Laura Taylor, a New Orleans power couple - he’s a successful attorney, she’s a celebrity chef - extremely eager to become parents. Of course, some folks might contend that even a thoroughly ordinary film that provides gainful employment for attractive and talented pros like Morris Chestnut and Regina Hall is worth, at the very least, 106 minutes of anyone’s time. The presence of a predominantly African-American cast arguably is the only distinguishing characteristic of this by-the-numbers thriller about a childless couple’s unwitting employment of an unstable surrogate mother. From a musical score that's full of "gotcha!" stings to several vaudeville-esque reaction shots, this wacky head-scratcher seems to be nothing more than occasional fare for midday cable TV.As it trudges along a predictable path through a formulaic scenario, “When the Bough Breaks” comes across as a Lifetime cable movie that got lucky and won a lottery offering theatrical release as first prize. The concept of an unstable, lustful loose cannon literally holding her crush's baby hostage within her own womb would seem to suggest a number of intriguing plot twists, but the final payoff is a meandering mess and the movie's attempts to craft a thriller as memorable as Fatal Attraction fall far short. When the Bough Breaks can take solace in the fact that it is truly unlike any of its box-office competitors, and it's able to stir up some real tension at points. Williams and the criminally underutilized Romany Malco (who is given a truly thankless role here). Meanwhile, the rest of this movie's stellar cast are left without much to do, including the inimitable Michael K. Chestnut is fine in the role of the cerebral, loyal husband and Hall tries her best to keep her character from feeling like a shrill-wife stereotype, but both actors are undermined by a script that seems like it wasn't really developed beyond the outline phase. Unfortunately, the movie struggles to build on its compelling setup, eventually descending into incoherent chaos without a shred of believability. Sinclair displays undeniable talent as the disturbed axis on which the film rotates, using her perceived innocence as a means of seduction. Anna, for her part, threatens to derail his plans when she falls in love with John. Yet Mike still remains in the picture, as he tries to convince his lover to go along with his scheme to use the pregnancy to extort as much money as possible from John and Laura. He becomes impossible to ignore, however, when his behavior escalates into domestic abuse, prompting the couple to invite Anna to live in their guesthouse. After a miscarriage the year prior, the couple are eager for a second chance at happiness one assumes that's the reason why they look past Anna's outlandishly sketchy boyfriend Mike (Theo Rossi). Anna agrees to act as a surrogate for John (Morris Chestnut) and Laura Taylor (Regina Hall), a successful and well-adjusted couple who want to have a baby.
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Yet this movie is also intent on following its own path, one that mirrors the development of its alluring antagonist, Anna Walsh (portrayed by relative newcomer Jaz Sinclair), from seemingly innocent to dark and demented. When the Bough Breaks is destined to draw comparisons to the 2009 Idris Elba-Beyoncé Knowles film Obsessed, as well as other modern thrillers featuring unhinged femme fatales.